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CITY VIEWS: SHOULD LONG MOBILE PHONE CONTRACTS BE REGULATED?

first_img More From Our Partners Police Capture Elusive Tiger Poacher After 20 Years of Pursuing the Huntergoodnewsnetwork.org‘The Love Boat’ captain Gavin MacLeod dies at 90nypost.comNative American Tribe Gets Back Sacred Island Taken 160 Years Agogoodnewsnetwork.orgSupermodel Anne Vyalitsyna claims income drop, pushes for child supportnypost.comA ProPublica investigation has caused outrage in the U.S. this weekvaluewalk.comI blew off Adam Sandler 22 years ago — and it’s my biggest regretnypost.comRussell Wilson, AOC among many voicing support for Naomi Osakacbsnews.comAstounding Fossil Discovery in California After Man Looks Closelygoodnewsnetwork.orgBrave 7-Year-old Boy Swims an Hour to Rescue His Dad and Little Sistergoodnewsnetwork.org Monday 21 February 2011 8:51 pm KCS-content whatsapp Show Comments ▼ Save or Borrow peer to peer at RateSetter.comwww.RateSetter.com Customer Phoneline: 08442490115DAVID BARKER | BNP PARIBAS“If people are mad enough to sign up for them, then it’s their problem really.”JOHN SIMPSON | INSURANCE CONSULTANT“Phone contracts can be difficult to get out of – I had real problems last time.”ADAM VULLIAMY | NOVAE INSURANCE“I think two or three years is a bit too long to tie someone down to a phone.” Share whatsapp CITY VIEWS: SHOULD LONG MOBILE PHONE CONTRACTS BE REGULATED? Tags: NULLlast_img read more

Abyss looms for Portugal if austerity budget fails vote

first_imgTuesday 22 March 2011 8:35 pm Show Comments ▼ Read This NextRicky Schroder Calls Foo Fighters’ Dave Grohl ‘Ignorant Punk’ forThe WrapCNN’s Brian Stelter Draws Criticism for Asking Jen Psaki: ‘What Does theThe WrapDid Donald Trump Wear His Pants Backwards? Kriss Kross Memes Have AlreadyThe WrapPink Floyd’s Roger Waters Denies Zuckerberg’s Request to Use Song in Ad:The WrapHarvey Weinstein to Be Extradited to California to Face Sexual AssaultThe Wrap2 HFPA Members Resign Citing a Culture of ‘Corruption and Verbal Abuse’The Wrap’The View’: Meghan McCain Calls VP Kamala Harris a ‘Moron’ for BorderThe Wrap’Black Widow’ First Reactions: ‘This Is Like the MCU’s Bond Movie’The Wrap’Small Axe’: Behind the Music Everyone Grooved On in Steve McQueen’sThe Wrap KCS-content by Taboolaby TaboolaSponsored LinksSponsored LinksPromoted LinksPromoted LinksYou May LikeMisterStoryWoman Files For Divorce After Seeing This Photo – Can You See Why?MisterStoryTotal PastThe Ingenious Reason There Are No Mosquitoes At Disney WorldTotal PastSerendipity TimesInside Coco Chanel’s Eerily Abandoned Mansion Frozen In TimeSerendipity TimesBetterBe20 Stunning Female AthletesBetterBeTaonga: The Island FarmThe Most Relaxing Farm Game of 2021. No InstallTaonga: The Island Farmthedelite.comNetflix Cancellations And Renewals: The Full List For 2021thedelite.comZen HeraldNASA’s Voyager 2 Has Entered Deep Space – And It Brought Scientists To Their KneesZen HeraldAlphaCute30 Rules That All “Hells Angels” Have To FollowAlphaCuteDefinitionDesi Arnaz Kept This Hidden Throughout The Filming of ‘I Love Lucy’Definition Sharecenter_img Abyss looms for Portugal if austerity budget fails vote PORTUGAL hovers on the brink of “an abyss” today, according to the leader of the country’s ruling Socialist Party Francisco Assis. He gave the warning yesterday after the government failed to strike a deal on the austerity budget that it must pass today in order to stave off an EU bailout.Negotiations were still ongoing last night as the minority government scrambled to get the necessary votes from opposition Social Democrats.The budget aims to make cuts equivalent to 0.8 per cent of GDP with plans for further cuts at two per cent of GDP next year. Economists predict that it will exacerbate Portugal’s ongoing recession, but a failure to vote it through would almost certainly push Lisbon into seeking an EU rescue.The uncertainty pushed yields on Lisbon’s five-year debt to new highs of 7.98 per cent yesterday as the government revised official GDP forecasts down from 0.2 per cent growth this year to a 0.9 per cent contraction.Societe Generale chief European economist James Nixon says Lisbon has already sold €7bn (£6bn) of the €20bn debt it needs to sell this year through “arm-twisting, private placing, prayer, syndicated deals”, but that without the budget passing, a bailout “starts to look inevitable”. Tags: NULL whatsapp whatsapplast_img read more

Book Of Cats by BGaming

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New life, light for Tiffany windows

first_img Virtual Celebration of the Jerusalem Princess Basma Center Zoom Conversation June 19 @ 12 p.m. ET May 15, 2012 at 6:27 pm Need link to Gabriel’s Place. Rector Collierville, TN Rector Bath, NC Associate Priest for Pastoral Care New York, NY stanley hirsch says: Inaugural Diocesan Feast Day Celebrating Juneteenth San Francisco, CA (and livestream) June 19 @ 2 p.m. PT Youth Minister Lorton, VA Janet Kawamoto says: Rector Knoxville, TN The Church Investment Group Commends the Taskforce on the Theology of Money on its report, The Theology of Money and Investing as Doing Theology Church Investment Group Comments are closed. Rector Tampa, FL Gillian Thompson, a conservator who works with the Cincinnati Art Museum, and a member of Christ Church Cathedral, carefully cleans the Tiffany stained glass window. Photo/Julie Murray[Diocese of Southern Ohio] Four rare Tiffany stained glass windows have a new home: the Cincinnati Art Museum will unveil them this month as part of a new and permanent exhibit.The windows, badly in need of repair and conservation, were removed in 2010 from the former St. Michaels & All Angels church in urban Cincinnati and sold to the art museum. Proceeds supported the founding of a community ministry that is now housed at the Avondale facility. Gabriel’s Place seeks to encourage community-based enterprise. The urban center operates a community garden and kitchen, as well as a hoop house that provides fish and fresh produce for local businesses and residents.“Gabriel’s Place is a gem in the middle of Avondale,” said the Rev. Canon Anne Reed, canon for mission for the Diocese of Southern Ohio. “The ministry began with collaboration among 10 community partners, and that partnership is growing every week. The remaining stained glass windows in the former church building remind us of the sense of the sacred as Gabriel’s Place continues to grow as a center for physical, social and spiritual health.”This has been “a fun and exciting project,” said Megan Emery, the museum’s associate conservator of objects. “Getting the windows from any religious setting would have been special, but it’s been exciting to see what’s happening in the church building with Gabriel’s Place. It’s really special for us to know that we’re tied into that mission.”Coincidentally, along with Emery, who is a member of Christ Church Cathedral, Amy Dehan, the museum’s curator of decorative arts and design, and Gillian Thompson, a stained glass conservator contracted for the project, are Episcopalians as well. Thompson attends the cathedral, while Dehan is a member of St. Timothy’s, Anderson Township.Commissioned around 1900, three of the windows honor the Mitchell family, parishioners and owners of a large furniture manufacturing business. One of the windows shows Christ, while the others depict angels. The purchase of the windows was made possible by the diocese and four donors: the Gardner Family 1992 Charitable Lead Trust, The Oliver Family Foundation, the Cincinnati Art Museum’s Docent Organization, and an anonymous donor.The stained glass windows complement an existing collection at the art museum of Tiffany’s blown glass vases. About 30 early examples of Tiffany vases will join the stained glass exhibit, located on the second floor of the museum’s great hall.“Tiffany’s work is so important to the history of glass,” said Dehan. Before Tiffany, most stained glass windows were flat sheets of transparent glass cut in shapes, then painted with designs or an illustration. Louis Comfort Tiffany, the son of the Tiffany & Co. founder, experimented with glass, employing different techniques to “paint pictures using only glass and light.”Tiffany windows often have three or four different types of glass. For example, the folds of an angel’s robe may have drapery glass, which has been manipulated and folded when in a molten form to create folds and rolls. To create even more dimension for areas like the horizons, Tiffany windows may have up to five layers of different colors and textures of glass.Conservation for the windows took 17 months of painstaking work, disassembling and cleaning hundreds of pieces of glass, making repairs and building new frames. Emery has documented each stage of the conservation work. While restoration tries to make things look as good as possible, conservation focuses both on the past – the original intent and context – as well as on the future and preservation.Although thousands of windows were commissioned from Tiffany in the late 1800s and early 1900s, more than half have been lost and destroyed, Dehan said.“We are always looking to acquire and hold for the community the best examples of art that we have,” said Dehan. “We were thrilled when this unfolded. It adds such a dimension to what we can tell about Tiffany. It also reflects upon Cincinnati and the city’s commitment to art.”Dehan added that because the exhibit will be permanent, thousands of people will have the opportunity to experience and be inspired by the beautiful windows.With light shining through the windows, she said, “they will appear in the same way Tiffany planned for them to look.”— Richelle Thompson is director of communications for the Diocese of Southern Ohio. Featured Events An Evening with Presiding Bishop Curry and Iconographer Kelly Latimore Episcopal Migration Ministries via Zoom June 23 @ 6 p.m. ET In-person Retreat: Thanksgiving Trinity Retreat Center (West Cornwall, CT) Nov. 24-28 Ya no son extranjeros: Un diálogo acerca de inmigración Una conversación de Zoom June 22 @ 7 p.m. ET Join the Episcopal Diocese of Texas in Celebrating the Pauli Murray Feast Online Worship Service June 27 Assistant/Associate Rector Morristown, NJ Rector Pittsburgh, PA Bishop Diocesan Springfield, IL Rector Martinsville, VA Family Ministry Coordinator Baton Rouge, LA Curate Diocese of Nebraska Associate Rector Columbus, GA ‘Poor Man’s Bible’While colored glass dates to ancient times, stained glass as a form of art and storytelling became prominent in the Middle Ages. A largely illiterate population could learn about the stories of the Bible from the illustrations in the stained glass windows. Some have called these windows the “Poor Man’s Bible,” because they, along with carvings, paintings and mosaics, could translate the narratives of the Bible to a population that couldn’t read.A 12th-century German monk named Theophilus wrote about stained glass in medieval times in his text, “On Diverse Arts.” The basic ingredients for making glass, he explained, are sand and wood ash (potash). After the mixture is melted into a liquid, it cools into glass. While it’s still molten, color can be added or the glass can be blown or molded into different shapes.In the late 1870s, Louis Comfort Tiffany studied new techniques for making stained glass windows. Early in his career, he used cheap jelly jars and bottles because he liked how the mineral impurities changed the shape, texture and color of the glass. When he couldn’t find the types of glass he wanted, Tiffany started his own glass factory. He used glass that was opalescent, meaning it changed colors as it transmitted light. Instead of painting on the glass, Tiffany simulated the folds of a robe or the texture of grass by molding and cutting glass in new ways.Windows from Tiffany Studios adorn churches, museums and fine homes around the country. Several Episcopal churches in the Diocese of Southern Ohio have beautiful Tiffany windows.MakingStained glass windows start as a drawing or cartoon. After the design is approved, it is drawn to scale on paper and the design is traced onto a glass easel. Another copy of the drawing is cut into pieces and used as patterns to cut the glass. The pieces of glass are dabbed with hot wax and then posted onto the glass easel. This way the designer can see how the light looks through the glass. After all glass pieces are cut, the artist joins them using copper foil and channeled lead caning. Finally, the windows are framed and hung.ConservingCleaning the glass requires care and time. Conservators use cotton swabs with an ethanol and deionized water compound to clean off the soot and grime. (Many of these windows were placed in churches and facilities that used coal and/or wood fires for heat). It can take two or more weeks to clean the top layer of one side of the window. Then the conservator flips it over and begins again.After the exterior layers are clean, the conservator disassembles the window, carefully scraping out the old grout and opening up the metal caming to remove pieces of glass one by one. Broken glass is repaired, when possible, with a special epoxy injected through a syringe. As each layer of glass is removed, the cleaning continues.After all the pieces are cleaned and repaired, rebuilding begins. All of the glass is placed back within its caming, and new solder¬ing is done when necessary. In this case, carpenters constructed new wooden frames for the window as well.Sources: Cincinnati Art Museum, Wikipedia, the Metropolitan Museum of Art websites.Visit the exhibitThe Tiffany stained glass windows and vases exhibit opens May 12 at the Cincinnati Art Museum. The museum is open Tuesdays through Sundays from 11 a.m. to 5 p.m. Admission is free (parking is $4). The museum is located at 953 Eden Park Drive, Cincinnati. Visit www.cincinnatiartmuseum.org Cathedral Dean Boise, ID Remember Holy Land Christians on Jerusalem Sunday, June 20 American Friends of the Episcopal Diocese of Jerusalem Submit an Event Listing Submit a Press Release Rector Washington, DC AddThis Sharing ButtonsShare to PrintFriendlyPrintFriendlyShare to FacebookFacebookShare to TwitterTwitterShare to EmailEmailShare to MoreAddThis Seminary of the Southwest announces appointment of two new full time faculty members Seminary of the Southwest This Summer’s Anti-Racism Training Online Course (Diocese of New Jersey) June 18-July 16 Cheryl Filippone says: Rector Shreveport, LA Episcopal Church releases new prayer book translations into Spanish and French, solicits feedback Episcopal Church Office of Public Affairs July 31, 2012 at 3:58 am My mother just recently bought a victorian mansion built in 1901 in Trenton, New Jersey. It actually has been the home to the Bishop of the Catholic Church for the past 100 years. In the house, as you walk up the main stairwell, straight ahead is a very large window made of stained glass. The depiction of the stained glass resembles the work of Tiffany. Is there any way I can find out if it is in fact a Tiffany work of art? The Church Pension Fund Invests $20 Million in Impact Investment Fund Designed to Preserve Workforce Housing Communities Nationwide Church Pension Group Missioner for Disaster Resilience Sacramento, CA Featured Jobs & Calls New Berrigan Book With Episcopal Roots Cascade Books Episcopal Migration Ministries’ Virtual Prayer Vigil for World Refugee Day Facebook Live Prayer Vigil June 20 @ 7 p.m. ET Rector and Chaplain Eugene, OR Priest-in-Charge Lebanon, OH Associate Rector for Family Ministries Anchorage, AK Press Release Service An Evening with Aliya Cycon Playing the Oud Lancaster, PA (and streaming online) July 3 @ 7 p.m. ET Curate (Associate & Priest-in-Charge) Traverse City, MI Assistant/Associate Rector Washington, DC Rector Smithfield, NC Director of Administration & Finance Atlanta, GA Priest Associate or Director of Adult Ministries Greenville, SC Comments (3) Rector Belleville, IL Rector/Priest in Charge (PT) Lisbon, ME Virtual Episcopal Latino Ministry Competency Course Online Course Aug. 9-13 Canon for Family Ministry Jackson, MS New life, light for Tiffany windows Rector Hopkinsville, KY Director of Music Morristown, NJ Assistant/Associate Priest Scottsdale, AZ Course Director Jerusalem, Israel By Richelle ThompsonPosted May 4, 2012 Episcopal Charities of the Diocese of New York Hires Reverend Kevin W. VanHook, II as Executive Director Episcopal Charities of the Diocese of New York Rector (FT or PT) Indian River, MI Rector Albany, NY May 16, 2012 at 2:07 am Here’s the link: http://gabrielsplace.diosohio.org/. We’ve added it to the text above, too. Thanks for pointing that out.Janet KawamotoAssociate Editor, Episcopal News Service Submit a Job Listing TryTank Experimental Lab and York St. John University of England Launch Survey to Study the Impact of Covid-19 on the Episcopal Church TryTank Experimental Lab last_img read more

La Iglesia y la sociedad en general siguen abordando el…

first_img Assistant/Associate Priest Scottsdale, AZ Curate Diocese of Nebraska Family Ministry Coordinator Baton Rouge, LA Submit an Event Listing Curate (Associate & Priest-in-Charge) Traverse City, MI Featured Jobs & Calls Rector Tampa, FL Assistant/Associate Rector Washington, DC Associate Rector Columbus, GA Join the Episcopal Diocese of Texas in Celebrating the Pauli Murray Feast Online Worship Service June 27 Missioner for Disaster Resilience Sacramento, CA Rector Pittsburgh, PA Rector/Priest in Charge (PT) Lisbon, ME Ya no son extranjeros: Un diálogo acerca de inmigración Una conversación de Zoom June 22 @ 7 p.m. ET Youth Minister Lorton, VA Virtual Celebration of the Jerusalem Princess Basma Center Zoom Conversation June 19 @ 12 p.m. ET The Church Investment Group Commends the Taskforce on the Theology of Money on its report, The Theology of Money and Investing as Doing Theology Church Investment Group Por Lynette WilsonPosted Jan 28, 2019 TryTank Experimental Lab and York St. John University of England Launch Survey to Study the Impact of Covid-19 on the Episcopal Church TryTank Experimental Lab An Evening with Presiding Bishop Curry and Iconographer Kelly Latimore Episcopal Migration Ministries via Zoom June 23 @ 6 p.m. ET De izquierda a derecha, los obispos DeDe Duncan-Probe, de Nueva York Central; Audrey Scanlan, de Pensilvania Central; el obispo primado Michael Curry; Greg Rickel, de Olympia y Mary Gray-Reeves, de El Camino Real, oran el 4 de Julio durante la “Liturgia de la Escucha” en una sesión de la Cámara de Obispos durante la Convención General en Austin, Texas. Foto de Mary Frances Schjonberg/ENS.[Episcopal News Service] La conducta impropia y el acoso sexuales incluyen más que la violación de parte de extraños o conocidos y el abuso físico. En algunos casos, se trata de un contacto inadecuado, de un beso no deseado en la mejilla, de un abrazo embarazoso o de una mano puesta demasiado abajo en la espalda de una mujer —todas son las formas más obvias del acoso sexual.Otras formas son menos obvias, más insidiosas. Comentar sobre la apariencia de una mujer, invitar a una mujer a la oficina de uno con el pretexto de una reunión, cuando realmente la intención es de naturaleza sexual. Tratar a las mujeres  y muchachas de “bebé” “tesoro” y “mi cielo”.  Hablar Mientras las mujeres hablan y darles la palabra preferiblemente a los hombres en las reuniones. La permanente diferencia salarial de género.O, formas comunes que las mujeres clérigos confrontan en la Iglesia Episcopal. “Eres demasiado joven para ser sacerdote”. “Eres demasiado bonita para ser sacerdote”.A raíz del escándalo de acoso sexual de Harvey Weinstein que sacudió a Hollywood y condujo a la caída de hombres poderosos en diferentes industrias y profesiones, la Iglesia Episcopal, en enero de 2018, comenzó su propio examen de conductas y políticas arraigadas que afectan a las mujeres.Un año y una Convención General más tarde, la Resolución D034, que establece una suspensión de tres años en el plazo de prescripción por conducta sexual impropia cometida  por un clérigo contra un adulto, entró en vigor el 1 de enero.“Una suspensión de tres años, eso es muchísimo”, dijo la presidente de la Cámara de Diputados, Rda. Gay Clark Jennings, en una entrevista con Episcopal News Service. Estamos suspendiendo el plazo de prescripción porque queremos oír las voces de ustedes”.La Resolución D034 fue una de las 24 resoluciones que abordaron el acoso y el abuso sexuales, el sexismo, la desigualdad y la discriminación presentadas por el Comité Especial sobre el Acoso y la Explotación Sexuales; un comité de 49-miembros nombrado por Jennings y compuesto sólo de mujeres.Como resultado de la labor legislativa del comité especial, dijo Jennings, surgieron de la Convención tres equipos de trabajo: sobre Mujeres, Verdad y Reconciliación; para Desarrollar Normas Modélicas sobre Acoso Sexual  y Adiestramiento para una Iglesia Segura; y para Estudiar el Sexismo en la Iglesia Episcopal y Elaborar Adiestramiento Antisexista.“Sinceramente, no creo que esto habría sucedido si ese comité especial no hubiera ejercido presión. Si uno se fija en el informe… todas las resoluciones que se presentaron fueron  enormemente exitosas.“Estos problemas sólo han llegado a ser más urgentes desde la Convención”, dijo Jennings. Las decisiones de la Convención General se produjeron después de que los líderes de la Iglesia Episcopal tomaran una serie de medidas.En enero de 2018, el obispo primado Michael Curry y Jennings hicieron  un llamado a la Iglesia para que examinara su histórica incapacidad de proteger a las víctimas de acoso, explotación y abuso sexuales. La carta, que salió cuatro meses después de que estallara el escándalo de Harvey Weinstein, marcó el comienzo del debate de la Iglesia con sus propios problemas de acoso (The Chicago Tribune ofrece un cronograma de los movimientos #MeToo).En febrero, Jennings nombró al comité especial. Luego, en mayo, los obispos de la Iglesia Episcopal invitaron a las personas que habían sido lastimadas por la Iglesia a que hicieran reflexiones. Doce de las historias que los obispos recibieron formaron la base de una “Liturgia de la Escucha” el 4 de julio durante la 79ª. Convención General.Durante la Convención, la Cámara de Obispos tomó otra medida y adoptó un pacto en respuesta al abuso y la explotación.A fines de septiembre, 328 clérigas episcopales firmaron una carta que se publicó en The New York Times y que suscitó preocupaciones acerca de la defensa que hizo el sacerdote episcopal y ex senador federal John Danforth de Brett Kavanaugh, entonces nominado al Tribunal Supremo de EE.UU. Las denuncias de asalto sexual hechas por Christine Blasey Ford, psicóloga y profesora, y otras dos mujeres contra Kavanaugh pusieron en duda la confirmación del magistrado y detonaron recuerdos traumáticos para muchas mujeres.Ford acusó a Kavanaugh de asaltarla sexualmente cuando ambos eran adolescentes. [En respuesta], atacaron la credibilidad de Ford. Las audiencias también pusieron al descubierto actitudes machistas hacia las mujeres y las acusaciones de asalto sexual.El 6 de octubre, el Senado de EE.UU. confirmó el nombramiento de Kavanaugh al Tribunal Supremo por una votación de 50 a 48. Dos días después, The Christian Century publicó un artículo de Jennings en el que abordaba la respuesta de la Iglesia a los sobrevivientes de asaltos sexuales.Durante las audiencias de Kavanaugh, la credibilidad de Ford se puso a prueba, cuando muchos, la mayoría de ellos hombres, se preguntaron por qué ella había guardado silencio durante 30 años. En su artículo, Jennings daba una explicación del silencio de las mujeres.“Nuestro silencio parte de la Biblia, donde las mujeres son en gran medida anónimas, tratadas como propiedad, usadas como esclavas sexuales y degradadas por hombres tan heroicos como David y tan divinos como Jesús. Las mujeres a las que llaman por su nombre no ascienden a más del 8 por ciento de los personajes de la Biblia, y menos de 50 hablan realmente”, escribió ella.Intelectuales feministas y mujeristas, como la Rda. Wil Gafney, sacerdote episcopal y profesora de Biblia Hebrea, han señalado que la violación es normativa en la Biblia, escribió Jennings, desde el faraón, Amón, los hombres de Guibeá y hasta Dios.“Estos relatos —de hombres que violan y abusan y de mujeres que se quedan calladas— son parte de la tradición religiosa que las muchachas y mujeres absorben mientras se sientan en los bancos de nuestras iglesias cada semana. Ellos han permeado nuestra cultura y han configurado nuestras expectativas de cómo los hombres deben comportarse hacia las mujeres y cómo las mujeres deben responder. De manera que cuando una mujer se llena de valor para hablar —para objetar ser tratada como trataban a las mujeres en la Biblia— no debería sorprendernos que los hombres cristianos la minimicen y la ignoren, tal como los héroes de su fe han hecho en historias transmitidas durante milenios”.El que Ford compartiera públicamente su historia, le dio a otras mujeres el valor para hablar también, incluidas mujeres de la Iglesia que se acercaron a clérigos y laicos en busca de apoyo. Y en el transcurso del trienio, la Iglesia Episcopal abordará el acoso, el abuso, la inequidad y la discriminación, y mujeres y hombres continuarán contando sus historias.Por ejemplo, las liturgias de escucha, semejantes a la que se celebró en la Convención General, han continuado a través de la Iglesia. Por ejemplo, durante su 242ª. Convención anual en noviembre, la Diócesis de Nueva York celebró una Liturgia para Escucha y Lamentación.Las seis historias que se leyeron durante el oficio se presentaron de manera anónima y confidencial; y en su mayoría abordaron las formas menos obvias del acoso, las insinuaciones sexuales inadecuadas, la subestimación del liderazgo de una mujer basada en su edad o en su apariencia física,  el embarazoso cortejo de un sacerdote casado en el bar durante una conferencia de clérigos.“Los historias son más matizadas, a veces es difícil para las mujeres, y en su mayoría son mujeres, en parte estamos tratando con un mundo de microagresiones… una forma más sutil de opresión”, dijo la obispa auxiliar de Nueva York Mary D. Glasspool en una entrevista con ENS luego del oficio. “Al igual que los confetis, cada caso individualmente parece pequeño, incluso inocuo, pero póngalos todos juntos y hay sencillamente un predominio de lo que es realmente tóxico para las personas y desmoralizante y vergonzoso”.La Diócesis de Nueva York tiene su propio Equipo de Trabajo #MeToo  y después de la convención estableció una línea de ayuda a la que las personas pueden llamar y compartir sus historias y buscar ayuda. Sin embargo, el trayecto apenas comienza y se irá configurando con el transcurso del tiempo, explicó ella.“No llegamos aquí de la noche a la mañana, y no vamos a cambiarlo de la noche a la mañana, es por eso el trayecto, el movimiento es parte de eso… es algo en lo que tenemos que seguir trabajando”, dijo Glasspool, añadiendo que el acoso y el abuso sexuales no son diferentes del pecado del racismo.“No es claramente el caso en este país que por haber tenido un presidente negro durante ocho años hemos resuelto el [problema del] racismo, y no es el caso de la Iglesia que por haber tenido una obispo primada durante nueve años hemos resuelto completamente el [problema del] sexismo”, afirmó ella. “Ese no es el caso”.Las resoluciones presentadas por el Comité Especial sobre Acoso y Explotación Sexuales y adoptadas por la Convención General brindan un marco más allá de la narrativa para que la Iglesia lo utilice a lo largo del trienio a fin de abordar problemas sacados a relucir por el movimiento #MeToo, tanto en la Iglesia como en la sociedad en general.Las liturgias y las narraciones son una parte importante de la recuperación, pero hay más labor, dijo Jennings.“La auténtica labor, el trabajo constante, es cambiar la cultura de las estructuras de la Iglesia que permiten el acoso, la explotación y la violencia de género, y comprometernos de nuevo, y yo espero que la Convención General nos ayudó a redoblar nuestros empeños para que la Iglesia abogue por seguridad e igualdad de las mujeres en el mundo porque estamos obligados a hacerlo, todo ello, porque nuestra propia tradición ha ayudado a crear una cultura donde ese es aceptable”, recalcó Jennings.“Si la Iglesia ha ayudado a crear esta cultura, es también nuestra responsabilidad ayudar a desmantelarla”.— Lynette Wilson es reportera y jefa de redacción de Episcopal News Service. Pueden dirigirse a ella en [email protected]  Traducción de Vicente Echerri. Rector Albany, NY Rector Bath, NC Course Director Jerusalem, Israel Rector Martinsville, VA Canon for Family Ministry Jackson, MS Rector Smithfield, NC Featured Events This Summer’s Anti-Racism Training Online Course (Diocese of New Jersey) June 18-July 16 Episcopal Migration Ministries’ Virtual Prayer Vigil for World Refugee Day Facebook Live Prayer Vigil June 20 @ 7 p.m. ET Director of Music Morristown, NJ Bishop Diocesan Springfield, IL Priest-in-Charge Lebanon, OH Submit a Press Release New Berrigan Book With Episcopal Roots Cascade Books Director of Administration & Finance Atlanta, GA Submit a Job Listing Cathedral Dean Boise, ID Rector Belleville, IL AddThis Sharing ButtonsShare to PrintFriendlyPrintFriendlyShare to FacebookFacebookShare to TwitterTwitterShare to EmailEmailShare to MoreAddThis Rector Collierville, TN Associate Rector for Family Ministries Anchorage, AK Episcopal Charities of the Diocese of New York Hires Reverend Kevin W. VanHook, II as Executive Director Episcopal Charities of the Diocese of New York Inaugural Diocesan Feast Day Celebrating Juneteenth San Francisco, CA (and livestream) June 19 @ 2 p.m. PT Rector Shreveport, LA Rector (FT or PT) Indian River, MI The Church Pension Fund Invests $20 Million in Impact Investment Fund Designed to Preserve Workforce Housing Communities Nationwide Church Pension Group Rector Washington, DC Press Release Service Priest Associate or Director of Adult Ministries Greenville, SC Remember Holy Land Christians on Jerusalem Sunday, June 20 American Friends of the Episcopal Diocese of Jerusalem Seminary of the Southwest announces appointment of two new full time faculty members Seminary of the Southwest Rector Hopkinsville, KY La Iglesia y la sociedad en general siguen abordando el acoso y el abuso sexuales en la era del #MeToo Assistant/Associate Rector Morristown, NJ Rector and Chaplain Eugene, OR Associate Priest for Pastoral Care New York, NY Rector Knoxville, TN In-person Retreat: Thanksgiving Trinity Retreat Center (West Cornwall, CT) Nov. 24-28 last_img read more

Join The Apopka Voice team: Sales Manager needed

first_img LEAVE A REPLY Cancel reply Gov. DeSantis says new moment-of-silence law in public schools protects religious freedom Please enter your name here Florida gas prices jump 12 cents; most expensive since 2014 UF/IFAS in Apopka will temporarily house District staff; saves almost $400,000 You have entered an incorrect email address! Please enter your email address here TAGSDigital Sales ExecutiveOffice ManagerThe Apopka Voice Previous articleScam Alert: Social Security schemeNext articleIn case you missed it: The Apopka news week in review Denise Connell RELATED ARTICLESMORE FROM AUTHOR Please enter your comment! Bring your digital sales savvy to The Apopka Voice The Apopka Voice is expanding.In just 18 months our innovative online news site has published over 3,000 articles, over 5,000 Facebook likes and over 30,000 readers visit our site and Facebook page every month.The Apopka Voice serves as the premier provider of daily local news in the Apopka community. Our content is timely and relevant and our online readers are engaged, loyal visitors.And now we are hiring digital sales executives who are reliable, responsible and want to expand with us in the area of advertising sales. We want you to build a business.Your role at The Apopka Voice will be to:Develop strategic solutions that meet the unique needs of each clientAct as a digital marketing consultant to local businessesBuilding and maintaining relationships with new and existing clientsMeet and exceed monthly sales goalsThe right person for this role will have:Strong and collaborative presence to work as a partner to any businessDemonstrated success in new business developmentThe ability to adapt to our unique product and digital strategiesA thorough understanding of digital advertising (display, rich media, push e-mail, native, SEM, SEO and social media, etc.).Preference is given to candidates with a thorough understanding of the Apopka business market and to digital ad sales experienceThis is a salary plus commission opportunity that is a full-time position. Part time commission based positions are available as well. Experience is preferred, but not necessary. We are an equal opportunity employer.Call 407/437-5654 or email your resume to [email protected] to set up an interview. Share on Facebook Tweet on Twitter Save my name, email, and website in this browser for the next time I comment.last_img read more

House 8 / Atria Arquitetos

first_imgShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/204030/house-8-atria-arquitetos Clipboard Year:  2010 “COPY” ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/204030/house-8-atria-arquitetos Clipboard Save this picture!© Edgar Cézar+ 26 Share Area:  420 m² Year Completion year of this architecture project Photographs:  Edgar CézarText description provided by the architects. Located in a residencial neighbourhood in Brasília, Brazil, the “Casa 8” is a family residence that points out the simplicity of architecture through the materials choices with a plea for natural textures. The architectural design approach intends to explore the integration among the house´s internal and external ambiences. With a steel concrete structure, the building is a one story house only, with very simple plan, located in a site that is 20 meters wide and 80 meters long (1.600m²), in order to preserve as much vegetation area as possible. Save this picture!© Edgar CézarRecommended ProductsEnclosures / Double Skin FacadesAlucoilStructural Honeycomb Panels – LarcoreDoorsSaliceSliding Door System – Slider S20Enclosures / Double Skin FacadesRodecaRound Facade at Omnisport Arena ApeldoornWindowsOTTOSTUMM | MOGSWindow Systems – BronzoFinestra B40As a volume, at first sight it looks like an enclosed box that presents itself as a 3,5 meters height wall to the street – eliminating the need of fences or gates, and offering the public a garden in front of the house. Even though, by crossing the main access door and walking through the sidewalk by the promenade, the pedestrian realizes that inside and outside spaces get confused and complete each other. This impression is given by the pivoting doors (side façade) and sliding door (back façade) made of certified wood. Save this picture!© Edgar CézarThe inside spaces are organized in three different categories. The common/collective spaces: kitchen, library, dining room and living room. The support spaces: garage, laundry, storage and service bathroom. And the intimate spaces: bedrooms and bathrooms. These last spaces are involved by the other, configuring the center of the house, and preserving the most restricted activities. Save this picture!elevationThe lighting and the ventilation of the house is constituted of two complementary systems. The peripheral areas (kitchen, library, access, dining room and living room) are fully ventilated and illuminated by the pivoting doors on the side and by the sliding door in the back. When opened, the doors offer an efficient system of natural air circulation. The intimate spaces, in the core of the house, are ventilated and lightened through conservatories in some of the bedrooms, and glazed roofs in other.Save this picture!© Edgar CézarProject gallerySee allShow lessPennDesign 2012 Spring Lecture SeriesArticlesStudent Housing for TU Delft Campus / Studioninedots + HVDNArticles Share Projects House 8 / Atria Arquitetos House 8 / Atria ArquitetosSave this projectSaveHouse 8 / Atria Arquitetos ArchDaily Architects: Atria Arquitetos Area Area of this architecture project Houses Photographs CopyHouses•Brasilia, Brazil Brazil “COPY” CopyAbout this officeAtria ArquitetosOfficeFollowProductsWoodConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesHousesBrasiliaBrazilPublished on February 06, 2012Cite: “House 8 / Atria Arquitetos” 06 Feb 2012. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogSinkshansgroheBathroom Mixers – Metropol ClassicVinyl Walls3MVinyl Finish – DI-NOC™ StonePartitionsSkyfoldVertically Folding Operable Walls – Zenith® SeriesPanels / Prefabricated AssembliesProdemaProdEx Wood Facade in the Aspen Art MuseumSealantsSikaRenovation of Zeitz MuseumSinksBradley Corporation USAVerge Coordinated Soap Dispenser and Faucet SetsWoodLunawoodThermo Timber and Industrial ThermowoodAcousticFabriTRAK®FabriFELT™ for Walls and CeilingsGlassDip-TechDigital Ceramic Etch PrintingWindowspanoramah!®ah! Ultra MinimalistEngineered Wood FlooringAustralian Sustainable Hardwoods (ASH)Australian Oak Engineered FlooringLouvers / ShuttersConstruction SpecialtiesSunshades – Airfoil LuxMore products »Read commentsSave世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my streamlast_img read more

Urban Collage / Edouard François

first_img Urban Collage / Edouard François Projects Apartments Year:  “COPY” Save this picture!© Paul Raftery+ 16 Share ArchDaily Architects: Edouard Francois Area Area of this architecture project CopyApartments, Social Housing•Champigny-sur-Marne, France France Area:  9000 m² Year Completion year of this architecture project ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/294840/urban-collage-edouard-francois Clipboard Photographs “COPY” 2012 Photographs:  Paul Raftery Save this picture!© Paul RafteryText description provided by the architects. At Champigny-sur-Marne, respect of the context and the refusal to interpret it led us to take a unique position. The site is a grand ensemble that was built in the 1970’s : a large zone of housing filled with towers and multi-story housing blocks near the old town center. The program asked for an urban renewal plan based on a new town center with shops and housing.Save this picture!© Paul RafteryAssuming that the city is a complex body, we superimposed elements found on site: townhouses at the base, a housing block from the 1950’s in the middle, and on the roof, single family homes. We organized them as archetypes to be read from bottom to top. The complexity of this project lies in the vertical superposition of these structural elements, shifting the three typologies independently.Save this picture!© Paul RafteryBeyond the creation a new retail shops,, the perception of centrality is also reinforced by the creation of numerous entries, gateways, lines of sight, and alleys that open the block to passers-by. These anchor the project in its context. The townhouses have separate entries from the sidewalk. Their copper, zinc, and tile facades complete the scenography.Save this picture!© Paul RafteryThe quality of the housing plays a central role in this new story: the apartments open on two opposite sides and meet the highest standards of energy efficiency.Save this picture!Courtesy of Edouard FrançoisProject gallerySee allShow lessLIVE MAKE Industrial Arts Center Cincinnati CompetitionArticlesMeetings on Architecture Event at the Venice BiennaleArticlesProject locationAddress:Champigny-sur-Marne, FranceLocation to be used only as a reference. It could indicate city/country but not exact address. Share ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/294840/urban-collage-edouard-francois Clipboard Urban Collage / Edouard FrançoisSave this projectSaveUrban Collage / Edouard François CopyAbout this officeEdouard FrancoisOfficeFollowProductConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousingApartmentsSocial HousingChampigny-sur-MarneHousingFrancePublished on November 19, 2012Cite: “Urban Collage / Edouard François” 19 Nov 2012. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogLouvers / ShuttersTechnowoodSunshade SystemsRailing / BalustradesMitrexIntegrated Photovoltaic Railing – BIPV RailingMetal PanelsAurubisCopper Alloy: Nordic BrassWindowsVitrocsaMinimalist Window – GuillotineGlassLAMILUXGlass Roof PR60 PassivhausSinksBradley Corporation USASinks – Verge LVG-SeriesSealantsSikaConstruction Solutions in Stavros FoundationShower TraysAcquabellaShower Tray – Focus BetonPatios / TerracesFranken-SchotterPatios and TerracesCeramicsTerrealTerracotta cladding in Le TrèfleSkylightsFAKROWooden pivot roof windows FYP-V proSkySynthetics / AsphaltFirestone Building ProductsRoofing System – RubberGard EPDMMore products »Read commentsSave世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my streamlast_img read more

Bowen Island House / Office Of Mcfarlane Biggar Architects + D…

first_imgManufacturers: AutoDesk, Dornbracht, Atlas Meridian Glassworks, Blu Bathworks, Catalano, HAY, Montauk Sofa, Muuto, ACDC Modo, Duravit, Fireplace, Iacoli & McAllister, Lock and Mortice, MP Lighting, Trimble Navigation, Xero Flor North America Projects ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/952855/bowen-island-house-office-of-mcfarlane-biggar-architects-plus-designers-inc Clipboard ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/952855/bowen-island-house-office-of-mcfarlane-biggar-architects-plus-designers-inc Clipboard Steve McFarlane, Michelle Biggar, Rob Grant, Heather Maxwell, Kai Hotson, Brendan Callander Year:  Design Team:Steve McFarlane, Michelle Biggar, Rob Grant, Heather Maxwell, Kai Hotson, Brendan CallanderEngineering:Structural Engineer: Eric Man, KSM Associates Ltd.General Contractor:West Coast TurnKeyCity:Bowen IslandCountry:CanadaMore SpecsLess SpecsSave this picture!© Ema Peter PhotographyRecommended ProductsMetallicsStudcoWall Stop Ends – EzyCapWoodLunawoodThermowood FacadesWoodAccoyaAccoya® Cladding, Siding & FacadesWoodGustafsWood Veneered Wall & Ceiling PanelsText description provided by the architects. The Bowen Island House is a calm, year-round retreat for a couple with young children seeking refuge from their busy professional lives. Nestled along the dramatic north shore of Bowen Island in BC, this contemporary cabin in the woods offers the basic pleasures of a contemporary home with deep connections to nature and a light environmental impact.Save this picture!© Ema Peter PhotographyThe rugged 8-acre site sits secluded along the northern coast of the island, marked by lush temperate rain forest and the rich undergrowth of fern, salal, and lichen-covered outcrops. The procession from city to site is one of gradual unwinding; first the short ferry sailing to the island harbour, then passing through dense evergreen forest, descending through the steep topography, then arriving at a natural meadow where filtered views and sounds of the sea reveal the stunning beauty of Howe Sound.Save this picture!PlansDespite this breathtaking beauty, this landscape is increasingly vulnerable to development. Over-scaled homes have become commonplace, dominating the context, spoiling one’s experience of the landscape. This cabin is an important, positive alternative to the prevailing trends. The house sits tightly between the intimate flora and the ever-changing presence of ocean, mountains, and sky.Save this picture!© Ema Peter PhotographyThe simple two-level volume clad in local cedar and insulated glass houses three bedrooms, two full bathrooms, and the open-plan kitchen, dining and living area. Siting the house perpendicular to the rocky coastline helps diminish its presence, while capturing the rare sun from east and west to offset the diffuse northern light and the shadows created by the 30m cliff to the south. The remote site prioritized design solutions focused on formal economy and simple details, ensuring construction had minimal disruption to the landscape. Able to function entirely off the grid and with independent sources for heat and electricity, the modest scale of the house further minimizes its environmental footprint.Save this picture!© Ema Peter PhotographyHumble materials and simple modern vernacular form create powerful relationships between the built form and nature. Cast-in-place concrete walls mediate between the mossy ground and the wood-framed elements above. Black stained cedar cladding visually recedes into the forest. The green roof re-instates the absorptive qualities of the forest floor below the modest footprint, while glazed roof lanterns capture additional daylight and sun. Local hemlock floors and ceilings create warm interior spaces; expansive decks seamlessly integrate interior and exterior experience.Save this picture!© Ema Peter PhotographyThe succinct spatial sequence through the house orchestrates a path from the forest floor to floating above the rugged shore. Connecting the architecture and nature, windows offer intimate views differing distinctively from the expansive views of the ocean; minimal frames help dematerialize the building skin while maximizing views and daylight. The children’s bedrooms and kitchen enjoy framed views of the rocky cove to the west, while the narrow stairwell glazing suppresses the horizon, redefining the dominant ocean view. Near-field sights of rock and lichen at the lower-level master suite createSave this picture!Sectiona more intimate experience of the site’s natural state. Holistically integrated throughout, the simple tectonic language and spatial clarity resonate with the surrounding coastal landscape, creating memorable architecture deeply rooted to its place.Save this picture!© Ema Peter PhotographyProject gallerySee allShow less”Days of Oris 20×20″ Features 20 Online Lectures Including Sou Fujimoto, Smilijan Ra…SymposiumPromotion Center of High-Tech Park / Atelier Apeiron – SZADSelected Projects Share CopyAbout this officeOffice of Mcfarlane Biggar Architects + Designers Inc.OfficeFollowProductsWoodConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesSustainabilityBowen IslandOn FacebookCanadaPublished on December 10, 2020Cite: “Bowen Island House / Office Of Mcfarlane Biggar Architects + Designers Inc.” 10 Dec 2020. ArchDaily. Accessed 10 Jun 2021. ISSN 0719-8884Browse the CatalogSinkshansgroheBathroom Mixers – LogisVinyl Walls3MExterior Vinyl Finish – DI-NOC™ StonePartitionsSkyfoldWhere to Increase Flexibility in SchoolsTiles / Mosaic / GresiteCupa PizarrasVentilated Facade – CUPACLAD UprightGlassLAMILUXGlass Roof PR60ConcreteKrytonCrystalline Waterproofing – KIMSkylightsVELUX CommercialAtrium Longlight Skylights in ExperimentariumMetal PanelsLorin IndustriesAnodized Aluminum – Copper FinishesStonesFranken-SchotterWall Covering & CladdingWindowsRabel Aluminium SystemsMinimal Casement Windows – Rabel 8400 Slim Super Thermal PlusSwingsStudio StirlingHanging Chair – BasketWallcovering / CladdingArrigoni WoodsWood Cladding – AcousticMore products »Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream “COPY” Bowen Island House / Office Of Mcfarlane Biggar Architects + Designers Inc. Houses Lead Architects: 2020 CopyHouses, Sustainability•Bowen Island, Canada Photographs:  Ema Peter Photography Manufacturers Brands with products used in this architecture project Canada Photographs Save this picture!© Ema Peter Photography+ 14Curated by María Francisca González Share Bowen Island House / Office Of Mcfarlane Biggar Architects + Designers Inc.Save this projectSaveBowen Island House / Office Of Mcfarlane Biggar Architects + Designers Inc. Architects: Office of Mcfarlane Biggar Architects + Designers Inc. Area Area of this architecture project ArchDaily Area:  2930 ft² Year Completion year of this architecture project “COPY”last_img read more

Four new appointments for September 2017

first_img Here are four recent charity appointments in one of our occasional recruitment round-ups, including new CEOs for Community Integrated Care and Birmingham Dogs Home. Giles Webber is new CEO at Birmingham Dogs HomeBirmingham Dogs Home has appointed Giles Webber as its new Chief Executive Officer. Webber joins the charity from Dogs Trust, where he has been the Operations Director for six years. He brings a wealth of animal welfare experience to his new role, including operational leadership at a national level. He is also an elected member of the Association of Dogs and Cats Homes (ADCH) Management Committee. Stephen Ballantyne joins The Amber FoundationStephen Ballantyne joins The Amber Foundation as its new Head of Fundraising and Communications this month. Ballantyne will work closely with Amber’s Senior Leadership Team to develop and deliver a new Fundraising and Communication Strategy. He joins with over 15 years of fundraising experience in a range of senior and director roles with his most recent Executive Director of Fundraising at Together for Short Lives.  141 total views,  1 views today  142 total views,  2 views today AddThis Sharing ButtonsShare to TwitterTwitterShare to FacebookFacebookShare to LinkedInLinkedInShare to EmailEmailShare to WhatsAppWhatsAppShare to MessengerMessengerShare to MoreAddThis Tagged with: Charity People Recruitment / people Four new appointments for September 2017 Mark Adams joins Community Integrated CareMark Adams has joined Community Integrated Care as its new CEO. Adams has over 35 years of healthcare leadership experience both nationally and internationally, and replaces Phil Pegler, who completes his 12-month tenure as Interim CEO. Adams joins from Dubai, where he designed and launched healthcare management business, Anglo Arabian Healthcare (AAH): an integrated network of 40 clinics, diagnostic centres, hospitals and pharmacies.center_img Advertisement Rohan Putter takes up role at BloodwiseRohan Putter is the new Director of Fundraising and Marketing at Bloodwise. Putter took up the role on 7 September, and was previously Deputy Director of Fundraising at Barnardo’s. Prior to this he was Head of Fundraising Business Strategy and Operations at Marie Curie, and before that Head of Development at Royal Holloway, University of London. He also has a strong health background with a BSc. in Microbiology and Immunology (University of Leicester) and MSc. in Molecular Genetics (University of Leicester). About Melanie May Melanie May is a journalist and copywriter specialising in writing both for and about the charity and marketing services sectors since 2001. She can be reached via www.thepurplepim.com. Melanie May | 13 September 2017 | News AddThis Sharing ButtonsShare to TwitterTwitterShare to FacebookFacebookShare to LinkedInLinkedInShare to EmailEmailShare to WhatsAppWhatsAppShare to MessengerMessengerShare to MoreAddThislast_img read more